The music I grew up with is a decade old now and that terrifies me. In my mind the late 2000s were a beautiful period of experimentation and growth and honest, unabashed wonder. I was swept up in the pitchfork content mill and every major release felt like an event and another bud on these vast musical branches I was incredibly eager to claim as my own. I jumped from Yo La Tengo into Animal Collective into Deerhunter and beyond. Everything felt and still feels like it was contributing to a staggering musical epoch that ended, coincidentally, once I grew … Read More
American Band is out now, courtesy of ATO Records.
God Don’t Never Change: The Songs of Blind Willie Johnson is out now courtesy of Alligator Records.
MI WO is out now courtesy of Someone Good.
I wrote earlier that XTC embodied a certain strain of Discomfit Pop; this song could very well be its manifesto. I have also written that Chalkhills.org will be, throughout this series, an invaluable resource. Indeed, in this case, it’s provided an incomparable cipher to the origins of “This is Pop?” It came to pass that Partridge—Swindon lad, New York Dolls aficionado—heard the Sex Pistols’ “Anarchy in the U.K.” (“It just sounds like a slower version of The Ramones,” he confessed to Todd Bernhardt) and decided he wanted none of it, the compartmentalization, the hemming in. He relates to Bernhardt: I … Read More
Public Domain, Volume I by WussyPublic Domain, Volume I is out now courtesy of Shake It Records.
There’s a rather vivid scene in Günter Grass’ (at times unbearably) phantasmagoric novel The Tin Drum where a museum guard named Herbert Truczinski (an associate of the narrator, Oskar Matzerath) falls in love with a statue, “Niobe” or “the green maiden.” Although, it is more accurate to say that Herbert is possessed to ravish the statue: I had to laugh when I saw Herbert. He was hanging from the front of Niobe, he had tried to mount the wooden statue. His head covered hers. His arms clung to her raised, crossed arms. He had no shirt on. It was later … Read More
Discomfit Pop Any piece of music that conforms to your expectations of pop music (i.e. that said pop music be indelibly catchy, regardless of its content and/or trappings; expectations that overlap, but do not denote, Market Pop, which is a whole other kettle of fish) that—simultaneously—works to bring you out of your comfort zone (to “discomfit” someone is to make them uneasy, which can be done in myriad manners) and draws you into the purview of thought, however trivial or asinine or insipid or profound or deep or wondrous the thought may be. Use In A Sentence: XTC, Swindon’s finest, … Read More
Still is out now courtesy of Fantasy Records and Proper Records.